Tag Archives: Lowbit Records

LBR100 | Lowbit 100 (Preview)

Since its inception in 2008, Lowbit Records has grown from a small underground label set up by Swedish duo Bastards of Funk & Sonic Union to become one of the best known and most well-respected progressive and tech house labels on the scene. Renowned for its consistent top quality and incredible diversity of music, Lowbit has become the go-to label for some of the biggest DJ/producers and the hottest up and coming talent in the world. Regularly supported by the likes of Hernan Cattaneo, Above & Beyond, John Digweed and Dave Seaman, and with a label roster featuring the likes of Deepfunk, Cid Inc, Kobana & Yane3Dots, Nikko Z, Lank, Roland Klinkenberg, Soundprank and many more, its rapid rise to the top is no surprise.

Always and forever at the cutting edge of underground dance music and unearthing the freshest talent, it gives me great pleasure to congratulate one of my favourite labels in the world on reaching a hugely momentous milestone – their centennial release. To mark the occasion, label owner & manager Sonic Union has pulled together an incredible selection of brand new bombs from some of Lowbit’s biggest & most popular artists – and trust me when I say that Lowbit 100 is their biggest and best release to date! Showcasing Lowbit’s trademark diversity, there truly is something for everyone here – with the one common denominator being the sheer quality of each and every track. They’re so good that I couldn’t do them all justice without delving deep into each and every one, so my track by track review of Lowbit 100 follows.

Here’s to another 100 Lowbit releases and many more!

1. Deepfunk – ‘Living In A Forest’
Unmistakably Deepfunk, this track evokes dark, twisted techy grooves inextricably interwined with haunting percussive beats, dramatic drums and creepingly melancholic chords to create an intensely atmospheric track with a powerful pull.

2. Pete McCarthey – ‘Aphrodite’
Irresistibly uplifting right from the very first chords, this track is a glittering ray of pure sunshine with its shimmering sunkissed waves of beautifully blissed out synths and magic-infused melodies.

3. Rich Curtis – ‘P-Mots’
Tightly coiled techno grooves slink their way into your soul, commanding your attention with their insanely addictive bounce before crescendoing into a peak-time explosion of twisted euphoria that will infect your brain with an irresistible urge to dance.

4. Anthony Yarranton – ‘A Better Place Awaits’
Hooking you right from the start with its irresistible drive and magnificently magnetic energy, its uplifting bounce breaks down into swirling synths and mellifluous moving melodies that make you yearn for more. A polished piece of progno perfection.

5. Exoplanet – ‘Seamless Continuum’
A stripped back beat, quirky breaks and bleeps, slowly winding melodies weave you into a web of introspection and a dreamy state of blissed out, chilled out delirium. Typically atmospheric and endlessly ethereal.

6. Tash & Stage Van H – ‘Reunited’
Soaring synth arpeggios spearhead twisted techy beats and bass, while the warmth and irresistible infectious smile infused by the underlying melody will seep into you like the sun parting the clouds. Deliciously distinctive with a feel-good flavour all of its own.

7. Kobana & Yane3Dots – ‘Venus’
After a stripped-back start, this beauty builds from an infathomably deep bass and hypnotic percussive grooves to delve deep into your emotions with its driving bass, heartbreakingly bittersweet beats and hauntingly melancholic melodies that stir the depths of your soul to a sense of almost unbearable longing.

8. Verve – ‘Bliss’
Positively pulsating with an effortlessly euphoric energy, rippling with rhythmic prowess and sinously stalking you with its lithe and light synth work, this track’s intricately interwoven layers of masterful melodies and sheer soaring uplift combine to shine a light on your heart while stealing it away so smoothly you won’t notice until it’s too late.

9. Yan Lhert – ‘Mechanical Cloud’
Floaty light twinkling melodies cushioned in an atmospheric aura, underpinned by driving and dramatic drums and a blisteringly beautiful breakdown; ‘Mechanical Cloud’ will have you flying so high that you’ll be soaring among the stars and never want to come back down.

10. Danny Lloyd – ‘In The Monkeys Desert’
With its deliciously deep vibes, distinctive male vocals and luscious layers of warm sparkling melodies, this is a driving, grooving, dancefloor tour de force with a perfect peak-time pull.

11. Matt Fax – ‘Coda’
This track’s sunkissed and soaring synths and immense build-up make it instantly uplifting, while the beautifully summery vibes and old skool feel give it an evocative emotional pull, invoking an intense nostalgia for summer sunshine days.

12. Weepee – ‘Move2Groove’
Aptly named with its deep driving bassline, bouncy, uplifting groove and satisfyingly squelchy techy stabs. Soaring strings add atmosphere and emotion, while the underlying gritty grooves tug at your dancing feet.

13. Bastards of Funk & Sonic Union – ‘Proturbd’
Kicking off with a trademark Bof & SU deep bassline, the pulsating energetic rhythms, growling vocal hook, tight and edgy techy stabs have ‘Proturbd’ ready to pounce like a tiger. An atmospheric breakdown paints a picture of dark and twisted beauty, before exploding into a rush of relentlessly rhythmic euphoria.

14. Nikko Z – ‘La Moogica’
With its relentlessly intense synths, crisp drums, atmospheric percussive stabs and melancholic melody, this track is deeply, darkly hypnotic and will render you powerless to resist the dark spell it casts.

Lowbit 100 is released on 15th October on Lowbit Records.

www.lowbitrecords.com
www.facebook.com/lowbitrecords
www.twitter.com/lowbitrecords
www.soundcloud.com/lowbit-records
www.beatport.com/label/lowbit/12892

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LBR068 | Samee – Winter Landscapes (Out 13.02.12)

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LBR065 | Verve – Elevate (Out Now)

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LBR061 | Bastards of Funk & Sonic Union – Glitter 2011 Part 2 (Out Now)

Time for another of my favourite progressive house packages of 2011 – Bastards of Funk & Sonic Union‘s ‘Glitter 2011 Part 2′, which is out today on Lowbit Records with a monster roster of remixes.

First up is Ben Coda, fast becoming one of the biggest hitters in the progressive and tech-house scenes and is a big favourite with Lowbit fans…and no wonder! Giving ‘Glitter’ a thrilling techy makeover, his remix strikes a beautiful balance between dramatically driving drums and growling bassline and light, airy layers of synth melodies that echo the uplifting nature of the original.

Steve Haines brings out the best elements of the original in his remix while simultaneously creating a really fresh take on the track. Banging out a seriously deep and dark bassline accompanied by squelchy stabs, Steve contrasts these with airy pads and sweepingly uplifting strings to make his remix a driving dancefloor bomb.

Outlook is a young UK progressive house producer who is fast putting himself on the map and was a well-deserved runner up in the ‘Glitter’ remix competition. His take on ‘Glitter’ is trademark uplifting Outlook, with absolutely lush chord progressions and spine-tinglingly warm pad work making this an outstanding part of the package.

Aussie producer inSilico meanwhile came third in the remix competition and is another talent well worth watching out for. Taking ‘Glitter’ down a more techy road, he injects it with a throbbing bassline and rippling, rhythmic layers of squelchy synths to give it a whole new hypnotic twist that again will work fantastically well on the dancefloor.

Well done Lowbit for saving the best for last with both ‘Glitter’ remix packages – Part 1 is climbing up the Beatport charts as we speak and had a big featured banner on Beatport last week too, further proof as if it were needed that this is essential listening!

Buy ‘Glitter 2011 Part 2′ on Beatport.

 

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LBR060 | Bastards of Funk & Sonic Union – Glitter 2011 Part 1 (Out Now)

Bastards of Funk & Sonic Union‘s ‘Glitter‘ has become an iconic track in the pantheon of progressive house since its release in 2009. And with its instantly recognisable drums, deep driving bassline, soaringly sweeping strings and THAT twinkling topline melody which combine to thrill your blood and send a shiver of anticipation down your spine, it’s no wonder. Now, two and half years after its original release, ‘Glitter’ is given new life with not one but TWO new remix packages on Lowbit Records, including the winners of the label’s remix competition for the track earlier this year.

Bastards of Funk & Sonic Union’s own 2011 take on their all-time classic kicks off with the instantly driving drums and that standout lead chord of the original – but don’t be fooled into thinking that this is a simple clone of its predecessor, because this version of ‘Glitter’ has morphed into an edgier, fiercer echo of its earlier self. With a new electro edge, a subtly interwoven, more melancholic take on the original melody and a bittersweet bite, this beast is an enticingly bad-boy relative of its more wholesome, innocent cousin, and invites you to the dark side because they have more fun there.

Next up is the mighty Soundprank, aka Canadian prodigy Colin Fisher, making his eagerly anticipated debut on Lowbit with a remix that can only be described as a masterclass in melody, atmosphere and emotion. The original elements of ‘Glitter’ take a back seat here as Soundprank makes the track totally his own, though intimately inspired by the original’s energy. Starting off in very deep, melodic territory, you’re lured in by hypnotic chords and intense layers of suspense and atmosphere, before a truly madly deeply INTENSE breakdown full of power synths coupled with the skilfully woven in drums of the original ensures that once heard, this remix will never be forgotten.

Polish powerhouse Kobana meanwhile has created a stunningly powerful remix that hooks you in with majestic, shimmering, summery waves of melody underlaid with the deep, deep bassline of the original and contrasted with the twist of a vocal stab. Thus does Kobana create an epically dramatic build-up that segues smoothly into a beatifully warm, uplifting, emotive rework that instils a nostalgia for summer sunshine and leaves you longing to hear more.

Last but not least it’s the turn of the winner of the remix competition, D Eye. He gets straight down to business with his remix, which grabs your attention right away with its energetic drums and bassline, punctuated by percussive flourishes and squelchy rhythmic chords. Gradually he filters in the original bassline and topline melody just before the breakdown, but successfully manages to make them his own by building the track back up to a peak-time dancefloor demon with enough energy to power the National Grid – while at the same time retaining subtle flashes of the original’s summery disposition.

With these ‘Glitter’ remix packages (Part 2 is out next Monday) undoubtedly two of the biggest packages of the entire year, Lowbit have most definitely saved the best for last!!!

Buy ‘Glitter 2011 Part 1′ on Beatport.

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LBR061 | Bastards of Funk & Sonic Union – Glitter 2011 Part 2 (Preview)

LBR061 Glitter Remixes Part 2 artwork

After last week’s sneak peek at Bastards of Funk & Sonic UnionGlitter 2011 Part 1, it’s time for a full reveal of the second set in this outstanding remix package, coming soon on Lowbit Records.

Ben Coda is fast becoming one of the biggest hitters in the progressive and tech-house scenes and is a big favourite with Lowbit fans…and no wonder! Giving ‘Glitter’ a thrilling techy makeover, his remix strikes a beautiful balance between dramatically driving drums and growling bassline and light, airy layers of synth melodies that echo the uplifting nature of the original.

Steve Haines brings out the best elements of the original in his remix while simultaneously creating a really fresh take on the track. Banging out a seriously deep and dark bassline accompanied by squelchy stabs, Steve contrasts these with airy pads and sweepingly uplifting strings to make his remix a driving dancefloor bomb.

Outlook is a young UK progressive house producer who is fast putting himself on the map and was a well-deserved runner up in the ‘Glitter’ remix competition. His take on ‘Glitter’ is trademark uplifting Outlook, with absolutely lush chord progressions and spine-tinglingly warm pad work making this an outstanding part of the package.

Aussie producer inSilico meanwhile came third in the remix competition and is another talent well worth watching out for. Taking ‘Glitter’ down a more techy road, he injects it with a throbbing bassline and rippling, rhythmic layers of squelchy synths to give it a whole new hypnotic twist that again will work fantastically well on the dancefloor.

‘Glitter 2011 Part 2′ is coming out on Lowbit Records on 19th December, and basically the truth is this simple: that if you’re a fan of progressive house, this is an absolute must-have. Get on it…

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LBR058 | Q.U.A.K.E vs Minimize – Loud EP (Out Now)

Quake artwork

I love it when Lowbit hits us up with something a little bit different, and today’s release is a perfect example of the label’s diversity. Dynamic duo Q.U.A.K.E have been making waves on the scene for some time, and their collaboration with Minimize on the second track of this EP proves to be a match made in musical heaven!

‘Loud’ lives up to its name with its effortlessly energy, dancefloor-centric driving drums, vocal stabs and uplifting vibe. Definitely a peak-time hands in the air banger!

‘Journey’ is a bit deeper and darker with its tight, techy chords and relentless rhythmic groove, but an absolute match for ‘Loud’ in terms of its perfection for the dancefloor.

The ‘Loud EP’ is out now – buy a copy on Beatport.

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LBR060 | Bastards of Funk & Sonic Union – Glitter 2011 Part 1 (Preview)

Glitter 2011 Part 1

Bastards of Funk & Sonic Union‘s ‘Glitter‘ has become an iconic track in the pantheon of progressive house since its release in 2009. It was featured on the Global Underground 2009 compilation, has had over 10,000 views on YouTube and the mighty PROFF has declared it one of his favourite tracks of all time and one that he still plays out – as evidenced by his inclusion of ‘Glitter’ in his Kazantip set earlier this year.

And with its instantly recognisable drums, deep driving bassline, soaringly sweeping strings and THAT twinkling topline melody which combine to thrill your blood and send a shiver of anticipation down your spine, it’s no wonder. Now, two and half years after its original release, ‘Glitter’ is given new life with not one but TWO new remix packages on Lowbit Records, following the label’s remix competition for the track earlier this year.

Bastards of Funk & Sonic Union’s own 2011 take on their all-time classic is kicks off with the instantly driving drums and that standout lead chord of the original – but don’t be fooled into thinking that this is just another clone of its predecessor, because this version of ‘Glitter’ has morphed into an edgier, fiercer echo of its original self. With a new electro edge, a subtly interwoven, more melancholic take on the original melody and a bittersweet bite, this beast is an enticingly bad-boy relative of its more wholesome, innocent cousin, who invites you to the dark side because they have more fun there.

Next up is the mighty Soundprank, aka Canadian prodigy Colin Fisher, who is at last making his eagerly anticipated debut on Lowbit with a remix that can only be described as a masterclass in melody, atmosphere and emotion. The original elements of ‘Glitter’ take a back seat here as Soundprank makes the track totally his own, though intimately inspired by the original’s energy. Starting off in very deep, melodic territory, you’re lured in by hypnotic chords and intense layers of suspense and atmosphere, before a truly madly deeply INTENSE breakdown full of power synths coupled with the skilfully woven in drums of the original ensures that once heard, this remix will never be forgotten.

Polish powerhouse Kobana meanwhile has created a stunningly powerful remix that hooks you in with majestic, shimmering, summery waves of melody underlaid with the deep, deep bassline of the original and contrasted with the twist of a vocal stab. Thus does Kobana create an epically dramatic build-up that segues smoothly into a beatifully warm, uplifting, emotive rework that instils a nostalgia for summer sunshine and leaves you longing to hear more.

Last but not least it’s the turn of the winner of the remix competition, D Eye. He gets straight down to business with his remix, which grabs your attention right away with its energetic drums and bassline, punctuated by percussive flourishes and squelchy rhythmic chords. Gradually he filters in the original bassline and topline melody just before the breakdown, but successfully manages to make them his own by building the track back up to a peak-time dancefloor demon with enough energy to power the National Grid while at the same time retaining subtle flashes of the original’s summery disposition.

‘Glitter 2011 Part 1′ is coming on Lowbit Records on 12th December, followed by Part 2 a week later with remixes from Ben Coda, Steve Haines, Outlook and InSilico. So basically, two of the biggest packages of the entire year – Lowbit have most definitely saved the best for last!!! :)

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Exclusive interview: Soulfire

Soulfire – aka Liverpool-born producer Lee Ager – has come a long way since Paul Oakenfold inspired him to hit the decks at the age of 19 and now, as a respected DJ, producer and the owner of the renowned Soulfire Downloads label, he’s become something of a legend in the progressive house, tech-house and techno scene.

He’s also just released his remix of Hyline & Jaybeetrax ‘Awake‘ on Lowbit Records and I wanted to go deeper to find out what drives Lee to make music, what he’s currently working on, what his views are on the current state of the music industry, what the future holds for Soulfire and what goals he still has left to achieve…so let’s get down to business!

Hi Lee. Let’s start out simple – how would you describe the Soulfire sound, and what is it that makes it unique?
Hey Lucy. Good to be here and thanks for having me on Cheers Ears! I’d probably describe the Soulfire sound as deep melodic progressive and tech-house, but I do venture into different styles such as chill out, deep, Balearic & soulful house. I guess what makes me unique is my infatuation with blending different styles of music together such as trance, house, tech, deep and breaks all into one song. Sometimes it works and sometimes I make something and think…bin! I really just try to make music that gets me going and hopefully that is want the fans want too.

You’ve DJed and worked alongside some of the top DJs in the world – who are your biggest musical influences?
The DJ that got me saying “I want to be a DJ” was Paul Oakenfold. He really inspired me to start up after I saw him play during his Cream residency in Liverpool. I was one of the lucky ones to have witnessed those sets, which are now legendary. Since then, I’ve learned a lot about the music industry and artists such as Sasha, John Digweed, Dave Seaman, John Graham (Quivver), The Prodigy, Danny Howells and Spirit Catcher have all been major influences on my music and led me in the direction that I’ve taken so far. I’d probably say that Hernan Cattaneo has been the biggest influence over the past few years. I love his sound and I’m very fortunate to have worked with him and also Paul & Oliverio (Soundexile) too. They are great guys. Non-dance music related influences would be Duran Duran, Enigma and of course I couldn’t miss out John Lennon, since I’m from Liverpool!

What would you describe as your musical mission with your own label, Soulfire Downloads?
When I first set up Soulfire Downloads, the main aim was give myself an outlet to release my music on Beatport. I was sending off music to labels but not really getting much response so I thought well why not try releasing it myself, then I can have total control (not that I’m a control freak!). I realised that Beatport were not going to let me on easily so I contacted a few musical influences in the hope that they’d respond and agree to remix my music. So Stan Kolev remixed my first release on Soulfire Downloads, ‘Escape’, and Spirit Catcher remixed ‘Neptune’ which was heavily supported by John Digweed. Beatport agreed to take my label on and Soulfire Downloads took off to the next level from there on. I’m currently on release no. 20 so it’s been going well. My musical mission has now changed and I focus more on helping other artists release their work on Beatport as I know how difficult it can be. Moving forward for the future, the goal is simply to release top quality music and also provide the platform for new emerging artists to get the attention they deserve.

Who would be your dream artist to remix, and who would you most like to remix one of your own tracks?
I’d probably say Sasha, John Digweed or Hernan Cattaneo. However I have actually remixed a Sasha track ‘Cut Me Down’ and also Hernan Cattaneo’s ‘Teleport’, so I’d go for John Digweed as I’ve not remixed a track by him yet! My remixes have not been officially released by either Sasha or Hernan though so an official remix of either of them or John Digweed would be very special. There are two artists that I have had in my mind for a long time now who I’d love to remix a track of mine – Sasha and Eric Prydz (but under his Pryda alias). I’ve managed to get Hernan Cattaneo to remix a track of mine in the past year so that was a dream come true really.

What are your Top 5 tracks right now?
Difficult one this as I’ve got lots. These ones are really doing it for me at the moment but I could add a lot more:

Coyote ‘Corona’ (Original Mix) [Needwant]
Climatic ‘La Luna’ (Original Mix) [4MPO]
Alain Ho ‘Into A Deep’ (Hot Toddy Remix) [The Exquisite Pain Recordings]
Summer (Brendon Collins) ‘Perfect Plum’ (Marcelo Vasami Remix) [Soulfire Downloads]
XSector ‘Heart Of India’ (Loquai Remix) [Elliptical Sun Recordings]

Speaking of remixes, tell me more about your remix of ‘Awake’ for Lowbit and how that came about?
I’ve been friends with Erik Pettersson who runs the fantastic Lowbit Records label for a while now and at the time I was looking for some options to remix for other well respected labels in order to expand my track catalogue online – and Lowbit was one of the few that sprung to mind. Erik passed me the track and parts and asked if I would like to do a remix, to which I happily agreed. I felt that I could really stamp my own sound on this particular track and the whole remix flowed nicely. Sometimes you can remix a track and like what’s going on with the original and the parts, but your remix doesn’t quite work. But I was really happy with the results of this remix, and it’s received some great support which has helped get the release featured on Beatport’s Progressive House genre page.

Having started out very young, you’re now vastly experienced in the music industry, which has obviously changed a great deal during that time. What’s your view of the current state of the music industry, and what advice would you give to any aspiring young DJ/producers wanting to break into it?
Haha that makes me sound like a veteran, but come to think of it I’ve been in the music industry for well over a decade now so I guess you could say I’m pretty experienced. Yeah I’ve seen the music industry change dramatically over the years and I guess in a way I’m still stuck in the era of progressive house & trance when that was huge. Nowadays the likes of Deadmau5, Guetta etc seem to be getting all the attention but there is still a massive following for the progressive house scene…but I wouldn’t say it’s a popular as it used to be, because the kids nowadays have grown up with a different style of music.

The biggest problem the music industry faces at the moment is illegal downloading. The digital era has made it easier for people to get their hands on music, and I have benefited from that as it has made it easier for me get my music to the right people. However, the simple fact that people can get so much music for free now means that they are not willing to pay for music like they used to years ago when it was all vinyl. I remember getting my student loan cheque, skipping off my university lecture and going to 3Beat Records in Liverpool where I’d spend the day chatting away to the likes of Steve Parry about music and going through all the latest music. It was like a religion back then, I loved that and miss it so much. Times move on though. A lot of record labels struggle massively nowadays with sales so it’s really a love for the music and a passion for keeping that sound alive which are the reasons that I and most labels probably do it. Believe me, money is not a driving factor nowadays (except maybe for the more commercial labels).

The best bit of advice I could give to aspiring young DJs and Producers is to really learn your craft. Don’t try and become the next superstar DJ or producer overnight, learn everything there is to learn and most of all enjoy it! Keep getting as much feedback as you can from people within the industry and don’t get disheartened – take criticism constructively. Always strive to learn and be the best you can be and you won’t go too far wrong. It’s probably one of the most difficult things to break into the music industry and nowadays it’s harder than ever, so you have to be super talented. Be patient, it does take a lot of time to learn everything.

During your time in the industry you’ve been a DJ, producer, promoter and label owner. What brings you most satisfaction and why?
I get unbelievable satisfaction from all of the above as I just love music, but the reason I got into it all was to become a DJ. Seeing a crowd go wild to your musical creativity is an experience that’s second to none and I’ve had some of the best nights of my life when I’ve been DJing. Being a DJ nowadays isn’t enough though, you have to be a producer as well. A lot of emerging producers now haven’t started as a DJ and when it comes to the art of mixing and programming sets, some of them don’t have the necessary understanding of how to really play music that will get people going. Most of all though it’s about creating something that brings everyone together, and music does that perfectly.

You’ve already achieved so much in your music career. What goals do you have left?
My next goal in music is to get a lot more DJ gigs. I recently emigrated to Melbourne, Australia so that I can continue forward with my goals in music, and also to improve my lifestyle and provide the best possible platform for a future family. The music scene seems pretty good here in Melbourne so I’m looking forward to getting out and about, meeting people in the industry and getting some more gigs. From there, who knows -  I’ll just let fate take it course. Hopefully fate will be as good to me as it has been in the past.

What are you currently working on and what’s coming up next?
I’ve got lots of releases coming up on Soulfire Downloads from really great artists, I think I’m about 10 releases ahead of schedule now so there is lots to come! The support for the label keeps growing and growing so it’s going extremely well. I once read that “repetition is the mother of success”. I’ve got the label running in the way I want now and I have a magnificent collection of artists (who I’d like to say a big thank you to as they work so hard to create great music), so more of the same is the way I’m taking things forward. I’m also working on some remixes for other record labels and have remixes scheduled for Stripped Recordings and Whose Haus, so I’m really looking forward to those releases. And I’m also working on a Soulfire compilation called ‘The Chilled Selection’, but I’m not sure when that will be released, as it’s still in the early stages.

What is it that drives you to make music your career?
Ambition. My ultimate goal is to create a full-time career from playing and producing the music I love. It’s harder than it seems and I’m still trying. Maybe one day it’ll happen, so I’ll keep trying until that drive goes away.

Thanks Lee – it’s been an absolute pleasure talking to you, and I for one hope that you never lose that drive to make music!

Soulfire official website
Soulfire Downloads on Beatport
Soulfire on Facebook
Soulfire on Twitter
Soulfire on Soundcloud

The Soulfire remix of ‘Awake’ by Hyline and Jaybeetrax is out now on Lowbit Recordsbuy a copy on Beatport.

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LBR057 | Hyline & Jaybeetrax – Awake (Out Now)

Time for another belting release from Lowbit Records as they release Hyline & Jaybeetrax’s ‘Awake’ – which has to featured one of the most impressive remix packages of the year! So let’s get striaght into it…

I really love the sheer energy of the original, which with its seriously addictive groove, gritty but uplifting melody and filthy bassline is pure peak-time dancefloor dynamite.

The Bambook & Adamwah remix features phenomenal old-skool synth riffs that remind me of the glory days of tech-trance. It’s dark, it’s dirty and fantastically filthy – until those soaring melodies of the original come glittering through the darkness like a ray of sunshine peeking through a storm.

Progressive house legend Soulfire delivers a deliciously deep and hypnotic rework with its pounding rhythms that pulsate through your body and soul to devastating effect.

Diego Iglesias turns in a remix that’s more techy than the others, with a satisfyingly deep and squelchy bassline and rippling layers of moody melodies to lift you up.

Last but definitely not least, the Dual Drive remix is – as befits their name – seriously driving and  another surefire dancefloor bomb! Love the dramatic drums…

‘Awake’ is out now on Lowbit and already a featured release on Beatport – if you haven’t got a copy yet, have a word with yourself!!! Then get one here.

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Interview: Luke Porter

It’s safe to say that Luke Porter is one of the leading lights of the progressive house scene. Having released on labels including Sudbeat, microCastle, Spherax and Mango Alley, hosted his own hugely popular radio show Alleys and collaborated with the likes of Cid Inc and Medway, earlier this year Luke also started his own label, Temporum, together with progressive prodigy Soundprank. And with his remix of Kobana & Yane3Dots‘ ‘Nuclear Friction‘ out tomorrow on Lowbit Records, now seemed like the perfect time to catch up with Luke and find out more about his music, what he’s working on and what’s coming up next, what the deal is with Temporum and his views on the current state of the dance music industry…

How did you start out DJing/making music and how did you break into the music industry?
Around 6-7 years ago my friends and I were DJing quite a lot at house parties. I bought a couple of CDJs and a mixer which we carted around all over the place. We then started to run a few progressive parties of our own in Melbourne, and I also started to play at a few of the other local nights in the city. It was quite hard pushing that sound as everything was becoming very commercial.

It was around that time that I started to mess around in Cubase. One of my best friends had been periodically writing some music and he showed me the basics. For the next couple of years I just worked hard at it, writing so many terrible 1 minute grooves you wouldn’t believe! So many times I was close to giving up, but after around 2 years things started to sound OK.

Probably the best bit of advice I was given at the time was from Kriece – he said that one of the most important skills to learn is how to finish a track. I could come up with loop after loop but could never finish anything off. After that I really worked on forcing myself to start arranging once I had a groove locked down. That was almost the final piece of the puzzle, and soon after that I had finished off ‘Deja Vu’ – and after a few emails it was signed to Tribal Vision for my first release. A few months after that I moved to London, where I am still based today.

How would you describe your sound, and how has it evolved since you started out?
I’ve always focused on deep sounds and being very bassline driven in a lot of my work. I also try to make things sound as hypnotic as possible as that aspect of dance music really interests me. I try to evolve my music as much as possible by implementing new sounds in each track that I write. I don’t often like to use the exact same patches over and over. There will always be familiar elements and certain motifs that I regularly draw upon, but I like to keep trying new things.

Earlier this year you released ‘Opiate’ on Hernan’s label ‘Sudbeat’, to great success. How did that come about and how did that feel?
It took me weeks of playing with my synths to get the final lead right for ‘Opiate’. Everything else had come together quickly, but I was really searching for a special sound to polish the track off. Once it was done, I sent it to Hernan because it just sounded like something he would be into. I saw a few videos on Youtube of him playing it in a club that weekend, and the next day he asked if I was interested in signing it to Sudbeat. I guess it did the business in the club!

Hernan has been one of my favourite DJs for many years, so to sign with his label and work with him directly was a great honour. For me, the best part of the ‘Opiate’ release was how widely Hernan played the track on his tours for many months. After all the hours spent locked up inside the studio writing music, it’s really cool to think about how many people have listened to that song in particular around the globe.

You’ve also collaborated with Cid Inc, Medway and other stellar figures on the progressive scene – who haven’t you worked with yet who you’d like to?
I’m just starting a new collaboration right now with one of my favourite producers, Arthur Deep. I’ve been a huge fan of his music for a while now, so it’s really exciting to be sending parts back and forth with him at the moment!

Who would be your dream artist to remix, and who would you most like to remix one of your own tracks?
In terms of me remixing – Jamie Stevens. His tracks are so organic and beautifully crafted. I can imagine that the parts themselves would be totally inspiring, even in isolation.

In terms of me being remixed – Dousk. He has always been on another level and one of my biggest influences as a clubber, music lover and musician. Dousk tracks just seem to have something extra when they are played in a club environment.

What are your Top 5 tracks right now?
Karl Johan – Connected
Soundprank – Summit
Franz Kirmann – Liza (Charlie May Atlantic Dub Mix) [microCastle]
Ditto & Robot Humour – Au Fait [Tulipa]
Dark Soul Project – Cordoba [Baires Records]

Tell us more about your remix of Kobana & Yane3Dots’ ‘Nuclear Friction’? And a little birdie tells me you have another release coming up soon on Lowbit, what can you tell me about that?
Well the original is such a high energy track that I wanted to do something a little deeper and moodier. I think one of the comments about the mix was it being “a deep emo rework”. I can dig that.

Not sure how much Erik wants to reveal about any upcoming releases just yet, but I will be remixing one of my favourite artists for Lowbit in the near future. His name starts with ‘L’ and rhymes with ‘Bank’ – so you can extrapolate from there. Can’t wait to get started on that one as the original is funky as hell!

Earlier this year you started your own label, Temporum Music, with Soundprank. How did you two hook up and what made you start Temporum?
I was originally put in touch with Soundprank by Klemen from Spherax a while back when he was just starting to release some records. I have a huge amount of respect for Colin and I’m immensely proud of what he has achieved in such a short space of time. We also share very similar values when it comes to music and wanted to pursue an avenue where we could periodically release tracks that were very personal to us. It was never meant to be a cookie cutter label trying to get releases out the door at every given opportunity. In that sense, it’s been great. We don’t have any set deadlines, but when the time is right we can release on our own terms. The label output will never be too frequent, but we can guarantee that what does get released is quality.

As a label manager as well as an artist, what’s your view on the current challenges being faced by the music industry – piracy, declining sales and so on – do you think there’s a way past it and a way for artists to still make a living from their music?
To be perfectly honest, it’s basically impossible to make a proper living from underground dance music sales. Our section of the industry only exists in no small part due to the amount of goodwill and work that very good artists put into writing and releasing music for next to no reward.

The absolute saturation of releases also further dilutes the impact that a really good record can have on consumers. You really need to have a supreme amount of talent to keep your head and shoulders above the rest, and then hope that you can break into the DJ circuit to supplement your income. Even that is very hard these days, as there has been a real decline in gigs for mid-tier DJs. Clubs are either paying the money to get big headliners who are guaranteed to fill a club, or they just get local DJs to play for free. There is less middle ground on offer. It really does make it hard for those guys who rely on DJ gigs to make a living, as there always seems to be somebody else who will play that slot for free, just to say they’ve had a DJ gig somewhere.

I also think the leading digital music online retailers have a big responsibility to fix up their musical genres. Progressive House in particular has suffered from being used as a genre to classify any old rubbish. At least give good records the chance to be grouped with their rightful peers. I don’t exactly think David Guetta and Calvin Harris are the most suitable ambassadors for Progressive House, do you?

What does the future hold for you – your own music, Temporum, DJing gigs? Give us a glimpse into your crystal ball…
As I mentioned earlier, I’m currently working on a couple of tracks with Arthur Deep. Cid Inc and I have also nearly completed another collaboration, which will most likely see the light of day on his Replug imprint. After that will be the new remix for Lowbit.

We’re currently debating about a potential release for Temporum in the coming months. If that doesn’t eventuate then perhaps it will be time for Soundprank and I to write a track together (long overdue I think)!

My next gig is in Sydney on December 23rd at The Vault. Really looking forward to be playing back home in Australia over the holiday period! Plus it will be summer when I’m there! Hopefully there will also be some local dates in London in the new year if things go to plan.

Thanks Luke – fingers crossed! It’s definitely time that London had some Luke Porter live…

Luke Porter official website
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Luke’s remix of ‘Nuclear Friction’ is released tomorrow on Lowbit Records. Listen to the preview here:

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Kobana – October 2011 (Mix)

Yesss – another superb mix from Kobana is here – get it on your speakers nooow! It includes gems like Jacob Henry’s ‘Serengeti‘, Lessov’s ‘Calibra‘ and Kobana & Yane3Dots’ ‘Nuclear Friction‘, which is out next Monday on Lowbit Records. Time to wear out your repeat button!

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